
Race Confrontation. Suffolk, VA.
There is a schizophrenia.
In that we oscillate between a subjective and objective gaze— ostensibly neutral, distant onlooking; then a certain oblivion-space between the two; then submersion as fractional individuals into immediate totality, into immediate identity. Academy, not only economic refuge for the counter-revolution’s children, but an emotional refuge. To empty out daily life to approach the scale of abstraction (society, history, ad nauseam)— yes— but also the scale of emotion. That daily life is immiserated— emptied of such passion. French (and always the French) bourgeois disillusionment after 1848 makes itself heard in Flaubert: ‘Passion in the form it is allowed to take these days, that is to say the inactive kind’. The scale, the scale of my apartment, our bed, our kitchen wares so animated by our past labors, congealed, into death— used, drained, and dead again. Into muted life. Into concrete rights. Demands we make on each other. Justice disgusting.
Between an immediate and a societal scale.
The immediate reality: visible, discernable, describable. Unsignified or signified with an apparent object.
And the scale of society, of history, the abstraction, the spatially and temporally distant, flows, boundaries, patterns or without pattern. The latent forces. Potentialities.
One cannot live solely in either. 'Meaning', the purview of art objects, is an attempt to penetrate the immediate reality with the scale of society. This, as we have heard, cannot rely solely on mimesis. It is the individual submerged into a totality. One’s project is to bring the scale of society to the immediate scale of life. Meaning making, art objects, documentation are so many fractions, (dirty, distorted) residue of another world.
Residue without a strategy of negation is witnessing, witnessing relies on a juridical mechanism, a force. Organized residue, organized witnessing (a la ‘Cop Watch’) then is a testament to our powerlessness vis a vis the immediate scale. The scale where the state appears as the police. The scale where the economy appears as personal debt, filial duty, the lovely date or sneakers we afford ourselves. The scale where the social appears as the friend who is less beautiful, less reliable, less shelter than the small home I’ve rented.

